And we see how cooperation between Mexican and U.S. authorities is compromised because key people on both sides may be corrupt, and betray secrets. Detailed plot synopsis reviews of Traffic Steven Soderbergh (sex, lies & videotape, The Limey, Out of Sight, Erin Brockovich) directs an astounding multi-faceted study of the U.S. war on drugs. She is approached by a man and agrees to leave with him. Click on a plot link to find similar books. Certainly drugs breed crime--addicts steal because they must--and a more rational policy would result in a lower crime rate and a safer society. Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. This is a film charged with tension, drama, and suspense. The film begins in Mexico, where police officer Javier Rodriguez Rodriguez (Del Toro) and his partner, Manolo, stop a drug transport and arrest the couriers. You can hammer it all day and still it hangs there, impassive, unchanged. for violent and disturbing material, language throughout, some drug use and sexual content. It also looks into the world of police corruption in Mexico and the dictators use of it. [***SPOILERS***] This terribly pandering piece of cinematography is redeemable only for the scene in which the film's drug czar concludes that one can't wage a war on drugs without waging war on one's own family and friends. And why do the heroes make the types of horror movie mistakes that get people talking to the screen in frustration? These are the conclusions I draw from "Traffic," Steven Soderbergh's new film, which traces the drug traffic in North America from the bottom to the top of the supply chain. “Traffik”’s resolution is as absurd as everything else. The movie hasn’t either at this point, and we’re almost halfway through its runtime. After an afternoon of getting freaky in the great outdoors, Brea and John are unexpectedly visited by Darren and his latest flame Malia (Roselyn Sanchez).
The review of this Movie prepared by Brian Oliver.
Brea is also angry, so it looks like John’s plans to propose to her are gone with the wind. The aforementioned misplaced cell phone rings and when Brea fetches it from her bag, she realizes it belongs to the woman in the restroom. Alone in the mountains, Brea and John must defend themselves against the gang, who will stop at nothing to protect their secrets. We've picked out the best movie and... Ranked: The Best & Worst TV Shows Based on Movies. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Be careful what you wish for, as the old adage goes. In California, we meet a middleman (Miguel Ferrer) who imports and distributes drugs, and two federal agents (Don Cheadle and Luis Guzman) who are on his trail. In 1975, he won the Pulitzer Prize for distinguished criticism. Traffic is a 2011 Indian Malayalam-language road thriller film written by brothers Bobby and Sanjay and directed by Rajesh Pillai.The film features an ensemble cast consisting of Sreenivasan, Kunchacko Boban, Rahman, Anoop Menon, Vineeth Sreenivasan, Sandhya, Roma, Remya Nambeesan, Asif Ali and Namitha Pramod.
Synopsis. A film similar in style to Crash and Babel that uses many intertwining storylines to give multiple perspectives (users, enforcers, politicians and traffickers) on the illegal drug trade. I’ll come back to that phone in a minute. Genre(s): Drama, Thriller, Crime.
Rated R It is easily one of the best-looking of Soderbergh’s movies and there is some very well-done acting from Michael Douglas, Don Cheadle and Benicio del Toro. At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. More You Might Like 31. Parents Guide. We also meet a Mexican general who has made it his goal to destroy a drug cartel--but not for the reasons he claims.
Viscerally unyielding. Let’s suppose it really is trying to shine a serious light on human trafficking.
And corrupt lawmen, who find drugs a lucrative source of bribes, kickbacks and payoffs.
The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. The movie hasn’t either at this point, and we’re almost halfway through its runtime. Why do we not get to know one single woman ensnared in the illegal ring? Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The aforementioned misplaced cell phone rings and when Brea fetches it from her bag, she realizes it belongs to the woman in the restroom. Two San Diego-based DEA agents. And the facts make their own argument: This war is not winnable on the present terms, and takes a greater toll in human lives than the drugs themselves. Douglas plays a conservative Cincinnati judge summoned to Washington to be the new national drug czar. It explores the illegal drug trade from a number of perspectives: users, enforcers, politicians, and traffickers. Overall a great screenplay that manages to swiftly switch between different scenarios and keep every story engaging, as well as easy to. The problem is like a punching bag. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). We meet two Mexican drug enforcement cops. This is a film where you do not have to be into drugs. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). “Traffik” begins with that classic cinematic lie “inspired by true events” and ends with statistics for women who have been victims of human trafficking. Notice I haven’t said anything about sexual slavery. It flat out hammered me. The phone in question is a satellite phone slipped into the bag of Brea (Paula Patton) while she’s in a gas station restroom. Odie "Odienator" Henderson has spent over 33 years working in Information Technology. This is the social cost of addiction, and the rationale for passing laws against drugs--but we see that it happens despite the laws, and that without a profit motive, drugs might not be so easily available in her circle. It involves the family of Robert Wakefield (Douglas), the new appointee to unleash the war on drugs, and his daughter who is abusing drugs. Rated R A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. She wants to use the phone’s contents to write the big front-page story that will get her job reinstated. For Pervasive Drug Content, Strong Language, Scenes Of Violence and Sexuality, Welcome to Judgment City: A Look Back at Defending Your Life, The West Wing Returns for an HBO Max Special, Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson. They do not stop drugs. Brea refuses the woman’s request. They may not be your conclusions.
She is a journalist for the Sacramento Post. Making the jump from the big screen to the TV screen is something that... Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by.
(USA Films). After all that killing and violence, it’s journalism that saves the day and paves the way for a potential sequel. The movie is inspired by a five-part "Masterpiece Theater" series named "Traffik," which ran 10 years ago and traced the movement of heroin from the poppy fields of Turkey to the streets of Europe.
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